‘The Forty-Year-Old Version’ DP Experimented With Film Stock, Lighting in Radha Blank’s B&W Comedy

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‘The Forty-Year-Old Version’ DP Experimented With Film Stock, Lighting in Radha Blank’s B&W Comedy
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Shooting black-and-white still photography has long been a passion for “Clemency” cinematographer Eric Branco. So it seemed serendipitous when he received an inbox message that included a script fo…

Shooting black-and-white still photography has long been a passion for “Clemency” cinematographer Eric Branco. So it seemed serendipitous when he received an inbox message that included a script for’s “The-Forty-Year-Old Version” with a title page that read, “A New York tale in black and white.”

Blank, a writer-producer on Spike Lee’s Netflix series “She’s Gotta Have It,” wrote and directed the semi-autobiographical comedy about Radha, a playwright who hasn’t sold anything in a while and teaches high school theater to make ends meet. On the brink of turning 40, she finds her creative juices reinvigorated one day when she goes to an underground rap club and is lured into the world of hip-hop battles.

In framing Radha, Branco wanted to portray her in an “honest and raw way.” When we first meet her, she’s very much down on her luck. But as her circumstances change and she finds herself not only recording a rap demo but also seeing opportunity come her way in her theater career, the DP got in tighter and closer with his lens to show the decision she has to make about which dream she wants to pursue. “It was a great choice to start the script where the character was at a low point,” Branco says.

Blank says the film’s focus on hip-hop was one of the reasons she chose to shoot in black and white. “I wanted to give [the characters] a kind of sophisticated and vulnerable treatment,” she says. “Hip-hop culture is often presented as oversexualized, and I feel like taking the color out forces you to see a certain level of humanity.”

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