In Mike Flanagan’s The Fall of the House of Usher, color symbolism plays a crucial role, with each color representing one of Roderick's dependents.
SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT Summary In Mike Flanagan's The Fall of the House of Usher, the utilization of color serves as a powerful tool to highlight the different characteristics of each of Roderick Usher's descendants, adding depth to their stories.
The color red serves as a symbol of Perry's bold passionate nature, while also reflecting the lust and desire of the orgy he orchestrates. A widely held theory about The Fall of the House of Usher also suggests each Usher family member represents the Seven Deadly Sins, with Perry's associated sin fittingly being lust. Additionally, red signifies fire and blood, which tie into the horrific incident involving the sprinklers, causing the partiers' skin to melt off.
Napoleon Usher: Yellow Napoleon "Leo" Usher is one of Roderick's illegitimate children and a video game developer. In addition to his drug habit, Leo's House of Usher story features instances of infidelity, lying, and corruption. While it's later revealed that Leo killing his partner's cat was an illusion from Carla Gugino's character Verna, he still shows his true colors by lying to Julius the entire time.
Tamerlane Usher: Green Tamerlane Usher is the second child of Roderick, who he had with his first wife Annabel Lee. She wants to have her own identity outside of her family, leading her to create her health business with her husband Bill, called Goldbug. Throughout The Fall of the House of Usher episode 6, the color green is shown through the lighting and the clothing that Tamerlane wears.
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