This series loosely inspired by the Boccaccio classic revolves around a group of nobles and servants waiting out the Black Plague in 14th-century Tuscany.
begins, nearly all of our characters are retreating. They might not put it in quite those terms, but it’s exactly what these characters are doing: flocking to the “beautiful, not-infected countryside,” as one character puts it, in hopes of waiting out the Black Plague currently tearing through the continent.
But it doesn’t matter how hard they try to get into “the holiday state of mind,” or how desperately some of them might hope to reorient their fortunes while away. It almost doesn’t even matter how insistently real life intrudes on their getaway.is a fitfully funny, occasionally poignant testament to the truism that no matter the circumstances, people will always find a way to be people, in all our petty or horny or heroic glory.
Some of its most savage jokes lie in the dynamics between master and servant — and none of those are more toxic than the one between Pampinea and her loyal handmaiden Misia . Mamet is the series’ comic highlight, ping-ponging between tantrums, whines and sickly-sweet pleas with the volatility of an overgrown toddler; Jackson’s Misia receives these outbursts with an obeisance that is eventually pushed to the point of breaking.
Despite the cast’s best efforts, the comedy suffers from quite a bit of shagginess in early chapters. With eight hours to fill, jokes that were only ever sort of funny, like Neifile’s longing gazes at every shirtless man God throws in her path, repeat themselves with diminishing returns.
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