Steven Soderbergh says there was “no compelling reason” to make a third Magic Mike movie, yet he directed, shot, and edited one anyway. He spoke with mattzollerseitz
The place my mind always goes when I see a movie that’s set in a universe like Marvel’s is,
And then Bertolucci for the movement, the visual language of the film. I wanted that kind of fluidity with the camera that he really — I wouldn’t say pioneered, but when he rolled up in collaboration with Vittorio Storaro and moved the camera the way he moved it, especially inalways comes to mind when I think of Bertolucci. There’s an abundance of everything.is the right word? But when it coheres, when there’s an overarching grammar that is being employed and it’s not just,.
It’s a pity, in my opinion, that American movies don’t have a place for Channing Tatum to be dancing all the time. In your heart, I wonder if you’re not a cameraman? You love to capture moments, and that sense of immediacy seems very important to you. where she figures out who her husband is sleeping with. She’s staring at an earring she vacuumed off the bedroom floor, and she gradually realizes it belongs to her sister. You shot that close-up during postproduction because you realized during editing that all the shots you had were too far away.
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