Christina Radish is the Senior Entertainment Reporter at Collider. Having worked at Collider for over a decade (since 2009), her primary focus is on film and television interviews with talent both in front of and behind the camera.
The Big Picture In Season 2 of the CBS drama series So Help Me Todd, Todd has his PI license back, things are evolving in his work and personal relationship with his mother Margaret , and his life is seemingly on a better track than his previously well-centered sister Allison . After attending the opera together, where the star performer and international supreme diva Jacqueline turned out to be Lyle’s mother, Margaret and Todd unexpectedly found themselves in a courtroom defending her.
Did you know going into this that you wouldn’t actually be leaving where you shot your last TV series? Does it feel like Todd and his mother understand each other a bit better now? Does it actually help Todd get some of his own footing back to see his mother face her own challenges? These are all characters that could become too much in the wrong hands, but instead we love them even though they have faults and we find them endearing.
Todd is someone who seems to go for it and just jump into something, but doesn’t necessarily realize that he’s right until he’s proven that he’s right. What has it been like to have Marcia Gay Harden as a scene partner for two seasons now? When you get into that banter between your characters, what’s it like to really get into that with her?
I love a good group dinner scene, and there have been a few on this show. There’s one in particular in the episode with Jenifer Lewis, “End on a High Note,” that I love because Lyle and his mother are having their own argument at the same time that Todd and his sister are fighting. What was that scene like to shoot? Does it take a lot of time to do something like that?
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