Netflix has opened up vast new possibilities for Shondaland, a panel comprised of company executives and creative collaborators agreed Sunday, but the DNA that informed Grey’s Anatomy and Sca…
, the acclaimed history of African-American immigration by Isabel Wilkerson, is being adapted by Smith as a series for Netflix.as “so fecund, so rich, so beautiful.” She also paid tribute to Rhimes, in words that carried extra authority given her work in academia and other realms beyond Hollywood.
“She may be the most influential African-American woman of letters ever,” Smith said. “Part of that has to do with our historical moment. If Toni Morrison had been born when Shonda was, she could have become a television writer. Oprah WInfrey is incredibly powerful, but she isn’t writing the same things. She’s producing them, but she’s not doing the same thing.” Smith added that Sojourner Truth or Ida B.
Eakle said the key advantage for Shondaland was that Rhimes and Beers “were never playing catch-up. They were always thinking, from, early on, ‘What’s the show we wish existed? What would we watch and we can’t believe doesn’t exist? What are the relationships and female friendships, all of those things that we don’t get to see? That’s the special sauce. It’s never, ‘Oh, that show’s a hit, let’s make one of those.
Even though the company has opened its aperture with the shift to Netflix, “let’s be real,” Eakle said. “If we found a story and a creator we were incredibly compelled by who had another serialized procedural, it’s not to say we wouldn’t do that again, of course.” Murphy, who started her tenure at the company as Beers’ assistant, said the prevailing feeling at the company is that convention should be overturned. “It’s hard to sit there and say, ‘Oh, we can’t do that. Those aren’t the rules’ when the person in charge is breaking rules all the time,” she said. “It’s not an excuse you can use. In fact it’s something that really pushes you to take chances.”
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