THEATRE REVIEW: The world premiere of Flood of Spirits conjures up a haunting evening.
Some productions are designed for a specific environment. Some resonate with a moment. Sometimes, by intent and happenstance, one achieves both. thus is the happy and tragic fate of, the new interactive play by Rebecca Maag that debuted last night at FronteraFest.specifically for the intimate space of the smaller dining room of Hillside Farmacy.
The audience begin as voyeurs, overhearing a conversation in the butler's pantry between two conspirators: Madame Gardot, or Lucille, as her lover and petty thief George calls her. It's Austin in 1900, in the shadow of the great granite dam disaster, when the city's dam feeding the hydroelectric power-house on Lake McDonald collapsed, killing dozens.
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