It's more like a peek inside the mind of a middle-aged, pop culture-obsessed man
Writing for the A.V. Club, Katie Rife called Once Upon a Time in Hollywood, Quentin Tarantino's ninth film, his "wistful midlife crisis movie." One sentence in her review breaks this idea down perfectly:"This is Tarantino's most personal film in decades, and the longings expressed in it flow from who he is as a person: an established middle-aged white guy confronting his own impending irrelevance.
Early viewers had already commented on Margot Robbie's lack of lines, and while she doesn't have much to say, that doesn't mean we don't see her a lot in the film—and a lot of her. As Sharon Tate, Robbie smiles and dances; she gyrates in yellow short shorts and a crop top at a Playboy mansion party. We nearly see under her white mini skirt, as she struts into a movie theater to watch herself onscreen.
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