An Oscar for Cate Blanchett, please!
via mass-vomiting fest is a jolly romp that manages to also pull at the sordid human dynamics that come into play around wealth, survival and, weirdly, the value of diamonds versus pretzel sticks. The Oscars are notoriously polite, almost sanitised – lots of past winners are enchanting depictions of the glamour of Hollywood – and we haven’t enjoyed such filmic filth sinceis good because it’s nice to see the origin story of the man who gave us.
For the first 20 minutes, I couldn’t work out why Michelle Williams had taken such a backseat, 1950s-suburban-mom part, and then her role sort of explodes into a supernova of feeling and the rest of the film orbits her performance. By way of Austin Butler, Elvis’s deep voice is an anchor in a dizzying film, a port in the storm of rapid cuts.
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