Buyer budgets are tight but there is a ample supply of buzzy series heading to the global TV market, from high-end period drama to street-smart comedies and back-to-the-basics proceedurals.
The glory days of peak TV, of blank cheque commissioning, open-ended series orders and blockbuster budgets, are well and truly behind us. But even with buyers tightening their purse strings, there’s still a hunger, and with the every-expanding global streaming market, a continually-growing demand for top-notch drama.Cannes — the number one global television market which runs October 21-24 — the supply side of the scripted business is also looking strong.
Budget constraints mean there will be fewer moon-shot deals at this year’s MIPCOM — proceedurals, thrillers and star-driven projects will have an edge over riskier, niche-focused fare — but for producers who know how to crunch the numbers, there is business to be done.
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