'the sense of sacred community that defines Maggie’s is never in doubt, from a midnight crush that has the bartenders moving in tandem like a single, efficient organism to the salute to Marsha P. Johnson and Sylvia Rivera...' | Catey Sullivan
, but it is rooted in a club that preceded Pulse by several generations: Stonewall. Through Mueller’s monologue-dependent script, About Face Theatre creates a contemporary story that also gives voice to the history that helped forge it. In director Lexi Saunders’s raw, emotive production, Audra , Minnow , and Cat work at Maggie’s, a Florida nightclub that’s a celebrated safe space for its queer clientele.
nightclub, where 49 people were killed and another 53 injured in the second-deadliest mass shooting in U.S. history. After Maggie’s is vandalized—scrawls of hate speech sprayed on the walls, broken glass and debris littering the floor—the tight-knit trio recalls the previous night’s revelries in minute detail, hoping they’ll remember something that could shed light on who vandalized their club.
The pacing in Mueller’s script slows when it needn’t, thanks to a few unnecessarily repetitive silent scenes that punctuate the flashbacks. But the sense of sacred community that defines Maggie’s is never in doubt, from a midnight crush that has the bartenders moving in tandem like a single, efficient organism to the salute to Marsha P. Johnson and Sylvia Rivera .
The structure allows each character to reflect in depth on their own personal terrors and triumphs, makingfeel like a confessional. There’s not a lot of plot here, but Saunders’s earnest cast captures raw vulnerability and exhausted, angry resilience in equal measure.Whoops! There was an error and we couldn't process your subscription. Please reload the page and try again.
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