In this week's installment of Smoke Break, we lit one up with Olmo Schnabel at the Roxy Cinema premiere of his film 'Pet Shop Days.'
had its New York premiere. Everyone who managed to get a ticket packed into the red Roxy theater to watch the native New Yorker’s fever dream come to life in the form of a vaguely bisexual neo-noir film in which Alejandro, the impulsive son of a drug cartel boss, and Jack, a bored pet shop worker, move through an unfiltered Lower East Side replete with sex, drugs, and daddy issues. “
STOUT: I was thinking about how perfect it is that it’s shown at the Downtown Festival, and it’s really a movie about downtown. That seems very meta. STOUT: You were in Mexico while you were developing the film. Do you think that distance gave you a bit of relief? y mother was always my best friend and I could tell her everything. And I think that, in Diana’s case, they probably had a relationship before that had changed. That’s why she was so troubled about what was happening with her son. And then, with Alejandra’s character, his mother is obviously—SCHNABEL: It’s supposed to be like that. And then, all of a sudden…It’s so incestuous and weird, but there’s a lot of love and tenderness there.
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