Inside The Making of Bob Dylan’s Luminous Late-’90s Masterpiece

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Inside The Making of Bob Dylan’s Luminous Late-’90s Masterpiece
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Twenty-five years later, and with a new box set helping to tell the tale, producer Daniel Lanois and engineer Mark Howard remember the birth of Dylan’s “Time Out of Mind.”

I had a vision, too. I wanted to make sure that you could hear every nuance of every word and that Bob’s voice sounded as beautiful as it could.Bob had done a show for the Atlanta Olympics, at the House of Blues, and it had been recorded. We got a call to see if we’d be interested in mixing it. So while we were mixing it, Bob would come in and listen.

All great Motown records, with James Jamerson on bass, or old Dr. John records. It sounds as though there’s lots of people in the studio, with some people sounding further back, but that’s because they were in the back of the room! And so we were afforded that luxury on, because with a lot of people in the room, I could play with the sound and get the feel we wanted, and not feel like I had to make the drums loud to catch up to any kind of a trend.

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