Natasha Rothwell and Conrad Ricamora in How to Die Alone
It’s so delightful when Hollywood actually gives the people what they want, and it’s even more delightful when that coincides with giving Natasha Rothwell — a standout of Insecure, The White Lotus, and, let’s face it, every project she’s in — her own show. Maybe that’s not exactly accurate to say. After all, Rothwell deserves credit for giving herself How to Die Alone, serving as the creator, and taking on writing duties in addition to acting.
‘How to Die Alone’ Is a Worthy Star Vehicle for Natasha Rothwell Before we get too deep into discussing the show, let’s get one thing out of the way: How to Die Alone is undoubtedly a true comedy. That’s an important distinction nowadays when people are fighting over genre muddlers like The Bear and Barry. How to Die Alone serves up its fair share of drama , but it leads with humor and absolutely nails it.
Natasha Rothwell has been criminally underrated for years, stealing scenes left and right in juicy supporting roles. It’s an absolute treat seeing her get well-deserved leading lady status, especially in a role this meaty. Melissa is a deeply imperfect yet highly relatable protagonist who’s easy to root for even when she’s making mistakes. The show doesn’t let her off the hook for her flaws, but it provides context for them that makes us empathize with her.
And what would a future classic comedy be without a love triangle and some inevitable shipping wars deliciously foreshadowed in the very first episode? The romantic aspects of How to Die Alone are compelling, presenting two excellent and wildly different options for Melissa.
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