How Nakhane Touré, the South African Singer, Embraced His Queerness to Become an Unstoppable Force

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How Nakhane Touré, the South African Singer, Embraced His Queerness to Become an Unstoppable Force
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“As a sexual being, which I am, and a queer person, which I am, I am not going to convince people to like me by neutering myself,” says nakhaneofficial.

While Nakhane Touré has the kind of style that will stop you in your tracks—Satin! Feathers! Shoulders! And, ahh, skin!—it’s his voice that really slays you.

It was in my early 20s that I really came of age. I was reading all these African authors, all these black writers—Zakes Mda, K. Sello Duiker, James Baldwin—and I discovered myself through my excavation of my blackness and my queerness. Living in the bible belt of Johannesburg, I had this sense that what people were doing was sinful but exciting. In my early childhood, my mum and her sisters, who were all opera singers, and my drama teacher...they all showed me a level of excellence.

I read before our conversation that you’d been subjected to a form of gay conversion therapy. If you can, and want, would you tell me something about that?. I was the one person in the church to be known for having this groove of sin. There was this James Franco film, where he plays Allen Ginsberg [], and I wanted to watch it—Ginsberg is the only one of the Beats I give a shit about—and my church mentor said, I advise against it, as it will stimulate your sexual desire for men.

I know when you were growing up you had a strong relationship with the woman you call your mom. Why was she so inspiring and important to you? I was always into clothes. I watched the Alexander McQueen documentary recently, and it is such a great argument for the power of fashion. I was fashion-conscious, but the idea of dressing up for shows...that was against everything I believed in. But then you start to think that a look can be an extension to the music, a means to understand it better. Punk was theater. There was nothing real about it. Bob Dylan with his electric guitar in 1965; that was all theater.

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