When it comes to horror, Broadway typically cedes turf to Hollywood, the occasional Martin McDonough play notwithstanding. There have been giant apes, operatic phantoms, and a misguided vampire or …
Related StoryTogether, they deliver a savvy tale that might be likened to a dark, lonely lake on a moonless night – scary enough on the surface, scarier still when one ponders what’s below the surface. There are some stretches that start to feel dull or repetitive, possibly the result of confusion as to what, exactly, is going on, but such moments fade with the next scream.
We might be comforted, but just for a second, with the arrival of Metcalf’s Raleigh, who one might assume to be the mother of this sisterhood . And then there’s her uncharming description of the family home, which she delivers as the house creaks and groans like the Titanic breaking apart. Most equal among the sisterly equals is Marlow , the aggressive ringleader with long dark hair, bangs and a vibe that’s vaguelyWithout giving too much away – did I mention there’s an old lady who sometimes dresses like one of the girls but generally just wanders around in the shadows –builds up its tension through blackouts, loud, screeching music cues and people crawling out of the woodwork – literally – when you least expect.
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