Fontaines D.C.'s 'Romance' is an essay of mosh-pit guitars careening into baggy desires and stringed visions of mercy, arriving like a stroke of violence that stretches itself around the cinema of living.
The Dublin quintet’s fourth LP is an essay of mosh-pit guitars careening into baggy desires and stringed visions of mercy, arriving like a stroke of violence that stretches itself around the cinema of living.
The strings that underscore “Horseness is the Whatness” echo Ford’s involvement, as he brought a similar touch to Beth Gibbons’s, too, as the R.E.M.-influenced “Bug” and the Lana Del Rey-summoning “In the Modern World” manifest softened, acoustic tendrils. But those tracks saunter into orchestral harmonies plumed with hallucinatory gestures just as quickly. Chatten’s verbiage is as nonchalant as it is pensive and earnest. “Seems so hard just to be,” he admits on “In the Modern World.
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