The brand's Creative Director Emily Smith brought an artist's touch to the brand's spring 2025 ready-to-wear collection.
is now three seasons, or chapters, into this year’s umbrella theme of craftsmanship and finding similarities to other art mediums. For spring, which represents new beginnings, she was drawn to the idea of life, or figure, drawing with charcoal.
“There was a drawing studio down in SoHo by our old office that I used to go to all the time — it’s one of those things that I feel as an artist, that’s your workout. You’re not worried about making it perfect, but it’s about getting started, so we wanted to celebrate that,” she said. Titled “In the Drawing Room,” the collection was aptly presented within a large, raw space, designed to embody an artist’s studio and gallery exhibition, in the Meatpacking District.
She started by creating the collection’s smudge motif, which was excellently engineered and printed to seamlessly wrap around the body on an black and white belted viscose trench, as well as a chic tuxedo jacket with silk twill pajama pant.“I’ve been admiring this suit.
This mentality extended to the brand’s classic white, boyfriend shirt updated with the rubbed black print , and array of easy textural tailoring in hues of paper blue, pencil gray and chalk yellow. One layered suit look in particular was especially soft and crafted in the vein of Neopolitan menswear tailoring, Smith said of the shoulder pad-free, unlined linen number with soft sueded finish.
From long fringes and sheer organza layers that concave the body to rich fabric developments across soft, sophisticated wardrobing, Smith continued to elevate the brand’s look with an artist’s touch.Futura 2000 Discusses His Career Retrospective at the Bronx Museum of the Arts, Marc Jacobs Collab and Olympic Breakdancing Uniforms. We use vendors that may also process your information to help provide our services. // This site is protected by reCAPTCHA Enterprise and the Google.
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