Christopher Nolan feels studios are thinking movies all wrong
That’s completely at odds with how cinema developed, right from the Lumière brothers’ train pulling into the station, as a pure audiovisual experience. But it’s a very popular fallacy—sometimes with critics as well, quite frankly—that all that matters is the scale of the story being told,” he continued.Nolan neglected to wade into the Marvel of it all, as so many of his compatriots have done.
Instead, he took the time to shout out the“People will tell you that the success ofhad nothing to do with its visual effects, and it was all down to its great story, but, I mean, clearly that’s not the case,” he said. “It is indeed a great story, but it’s also an incredible visual and aural experience. So this willful denial of what movies actually are has set in.
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