View the complete spring 2021 collection from Arthur Arbesser
An increasingly fruitful side gig for Arthur Arbesser has been designing costumes for ballet and opera, and this season he imported the elements of storytelling that are inherent in such work to help him spin his lockdown narrative. Using either deadstock fabrics from collections past—“the plan is that after this, it will all be gone”—he created the costumes for what he called “a little fairy tale” whose cast are the friends you see here shot in a Milan factory space.
Contemplating some red-heavy crazily pixelated kaleidoscope prints, Arbesser became a little misty eyed and ventured: “You know I have always used these pixel prints, and I still remember a review from Nicole years ago mentioning ‘an unmanageable dose of graphics.’” Arbesser and his small team clearly derived great joy from the certainties of endeavor in the middle of uncertain times, and the designer seemed both a little sad not to be showing but also liberated by it.
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