For our Winter 2024 issue, Adria Arjona and Glen Powell virtually reunite to talk about growing up on tour, sniper training, and Los Frikis.
, and the result is an industry lining up to be in the Adria Arjona business. Next up, the Puerto Rico native is tackling a more personal project in
ARJONA: I’m a good napper. But you facilitated that—remember that one day that I didn’t sleep? And I opened the door to my trailer, and you had all these blankets and pillows for me to nap with during lunch? It was very sweet. POWELL: Totally, the movie is a feeling. When you originally told me about the idea—and I wasn’t aware of this moment in history either—I was like, “Why would anyone think to inject themselves with HIV?” But the first act did such a great job of showing the lack of choices, the oppression. While I was watching it, I became so overwhelmed with gratitude for my own freedom. And I literally told a friend, as soon as I finished watching, “This is what movies can do.
POWELL: Oh I know, because of the way that you talk about it. In our careers, you don’t know how many really great movies you get to make, so we do our best to try to fill our time with things that matter, and you hope the experience is as magical as the product. But I find that what’s really special about you is just how proud you are of something that you put so much into.
ARJONA: It’ll always be a struggle, but I try to surround myself with people I love and trust, and who make fun of me and are funny. As long as I’m laughing, I can go through just about anything. And I do have little rituals. I’m always with a little palo santo. I have crutches of things that I have invented for myself that are good luck—like I always start a job with a white shirt, which you’ve helped me with.
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