Richard Gere in a dark room on the poster for American Gigolo (1980)
As long as you're willing to look past the odd dud or two, especially something like Movie 43 , Richard Gere has a rather impressive filmography. He’s been working steadily since finding early success back in the 1970s, and has generally remained a high-profile and in-demand actor throughout that time, with many of his films seeing him in the lead role, too.
It's about balancing a relationship and a difficult training process, and so it’s quite simple, really: a movie about having a work-life balance, in a way. Gere is dependably good in the lead role, but was perhaps overshadowed by his co-stars, with Debra Winger earning an Oscar nomination for Best Actress, and Louis Gossett Jr. winning for Best Supporting Actor.Release Date July 28, 1982 Director Taylor Hackford Cast Richard Gere , Debra Winger , Louis Gossett Jr.
You can resist a movie like Pretty Woman if you want, or you can give yourself over to the cheesy and/or dated elements, maybe even the parts that are a little uncomfortable. It could well be one of those “you can’t make this today” kinds of movies, but you could make it in the 1990s, and they did, and a lot of people liked it .
The plot sees Richard Gere playing an attorney who defends a young altar boy who’s the suspect in a grisly murder case, with the victim being a powerful and influential bishop. Primal Fear gets a bit goofy and overly dramatic at times, but the important thing might well be that it’s almost always entertaining. Gere’s good, but the highlight of the film is probably Edward Norton in his debut feature film.
To encompass this, I’m Not There features six different actors playing a Dylan persona, or someone who represents some part of Dylan. It’s all a bit obscure and odd at times, but the film’s undoubtedly interesting and about as good a biopic about someone like Bob Dylan could get. It’s certainly true to the artist himself; that can’t be denied.
2 'Chicago' Director: Rob Marshall Fewer crime movies than you might expect have won the Oscar for Best Picture, with Chicago ultimately being one of them. It’s also a dark comedy and a musical, taking place in the titular city during the 1920s, and mostly revolving around a pair of women on death row, both of whom believe they can stay alive by achieving a level of fame and notoriety before their executions.
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