Mad Max Mel Gibson
Mad Max takes the classic genre of post-apocalyptic survival and transforms it into something fun and lighthearted, which has allowed it to forge an entire subgenre of its own that many films have aimed to replicate over the years. George Miller’s original movies were extremely forward-thinking for their time, and the recent sequels have only pushed that innovative storytelling even further.
1 ✕ Remove Ads There aren’t many movies like Love & Monsters: it’s exciting and dramatic, but there’s also a self-aware undertone that runs throughout as Joel pursues his love in the face of a world-ending catastrophe. It’s an incredibly breezy watch, and much of this comes down to Dylan O’Brian’s charismatic performance and the incredibly stylish editing choices on display.
8 Hell Comes To Frogtown Directed By Donald G. Jackson and R.J. Kizer Your Rating10 stars9 stars8 stars7 stars6 star5 stars4 stars3 stars2 stars1 star Rate Now 0/10 Leave a ReviewDirector Donald G. Jackson , R.J.
✕ Remove Ads Juan of the Dead has the same overall spirit as Mad Max, even if the stories are very different - it’s a narrative that tries to see the light in an overwhelmingly gloomy world, dissecting the nature of humanity in the face of its extinction. Juan of the Dead is available on streaming to rent or buy, and it’s one of the most subversive examples of this particular subgenre that somehow remains criminally underappreciated.
The Night Eats the World is a completely original spin on a well-known concept, which proves that zombie movies are never going out of style. Much like Mad Max, the film’s well-constructed narrative and intricate world-building started a prospective franchise that continued with Army of Thieves later in 2021. Although Netflix ultimately canceled the Army of the Dead franchise, its short-lived existence still proved that there’s space in today’s cinematic climate for original, stylish stories such as these, which is exactly how Mad Max became so popular in the ‘80s.
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