is an autobiographical documentary by Brazilian filmmaker Coraci Ruiz following the gender transition of her adolescent son Noah between 2016 and 2019. The closing film of the Durban International Film Festival, it will be available free on the officialis rough and up-close. Interviews are personal and generous; but the scope of the film is broad, encompassing a swathe of relevant social issues around gender, marriage, politics and parental consent.
Violeta explains that they’re not averse to feminine things. They gravitate towards masculinity because being treated as a boy feels slightly more natural, but in truth, Violeta is neither comfortable being treated as a boy nor a girl. They just want to be treated as Violeta, but this is something few people know how to do.
Some languages are similarly ill-equipped to distinguish between gender, sex and sexuality, so Violeta gives us a short and sweet lesson in sex-ed . They draw the silhouette of a human and circle the area where the genitalia would be. “This is just a part of the body” Violeta explains. They indicate to the person’s head — “gender exists here. The one has absolutely nothing to do with the other.”is rushing water, filled with colourful iridescent light.
Ruiz also applies the water analogy to her own understanding of gender. We see her shadow, clearly the shadow of a woman, over a glistening pool. Her teenager’s evolving sense of identity unlocks Pandora’s box, spurring Ruiz on a journey of gender reconceptualisation.Still image from Threshold Part of why Ruiz decided to make the film is that she was confused about how to best support her child.
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