Please don’t celebrate me: Nothing hurts more - The Mail & Guardian

At home hunkered over Netflix I recently encountered what might be the most racially objectifying scene ever.presents itself as unassailably forward-thinking, which should be a cause for alarm right away. From the first scene I was intrigued by the fable-like milieu, the candy design, the alluring evanescence of the lead character Otis , not to mention his mother played by Gillian Anderson, seemingly cryogenically revivified from the, more charismatic than ever.

In the show Otis is hard put upon by his mother, a sexually voracious sex therapist under whose disapproving gaze he squirms with inadequacy. Otis quite rightly understands that his mother cannot see through to the real him, and regards him simply as a sexually dysfunctional teenager straight out of her social psychology textbooks . This should make for liberating viewing, you might think.

Even that might be acceptable to a sophisticated viewing, in which you reframe the series as exploring the process of racist stereotyping itself. That is until the crucial scene, presented as the heart of the film, where Eric and his family reconcile to his homosexuality. The run-up to this scene is a terrible incident where Eric, while walking home in drag from a showing of, is beaten up by a gay-basher. This catapults his parents from bewilderment to acceptance of his sexuality.

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