It was brilliant. Kanye West’s stealthy takeover of Paris Fashion Week was brilliant in its last-minute buzz factor. Brilliant in its two-part punch, a religious event that prepared the way for the second coming, a quasi-religious fashion event. Brilliant in playing the kid card . Brilliant in West’s iron-cast, I’m-a-star knowledge that, no matter the time or prior negative Yeezy experiences , if he built it, we would come.
Eventually, we headed into the structure’s spaceship-like domed enclosure. The building is West’s favorite in Paris, never mind all that chichi Haussmann nonsense. His models were positioned about the sphere, a sort of Mad Max pretty-girl brigade, because no matter the impending doom, no self-respecting female affiliate of the West family would face Armageddon looking anything other than perfectly turned out.
In West’s sartorial reading of this futuristic world, people will go back to basics with a cozy current. That means lots of beige and putty-hued tones and ample padding, with an emphasis on parkas, cropped tops and leggings worn with padded moon boots or bedroom slippers. The fabric of choice: muslin, at least until he works out the various leatherized and sueded finishes he has in development. His other favorite material: swaths of thick, raw wool. As a jacket, okay, it made sense.
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