The original Gossip Girl filled the early 2000s teens and young adults with yearnings for sprawling skylines, the temptations of big city living, and the privileges of old money. The Gossip Girl reboot once again launches us into a world of high school drama, betrayal, forbidden love affairs, and an insider look at the lives of Upper East Side elite but with a 2021 glow up.
The show attempts to counteract past complaints by pumping up the diversity and inclusion this generation is known for. Unfortunately, the dialogue makes the characters sometimes seem like three millenials stacked on top of each other in a trench coat. It’s all name-dropping and references to the pandemic and throwing in random words 300-year-olds think teens use. Spoiler: they don’t. No one uses “unsubscribe” as an attempting-to-be-witty one liner, and I pray that it never catches on.
ADVERTISEMENT This is supposedly meant to make up for what she did and has been doing up until literal seconds beforehand. Not everyone gets immediate forgiveness if they ever get it at all. Acknowledging that you fucked up isn’t a cure all. The only thing that could possibly explain this speech would be that maybe the writers wanted to teach a lesson to young viewers. Showing kids that bullying is inexcusable is important but I must remind you that this isn’t aimed at kids.
The thing that sets the Gossip Girl reboot apart is how they resolved this plotline. Max and Rafa didn’t run off into the sunset, instead, Rafa is revealed to have had sexual relationships with several other students in the past. Far from being the charming man who couldn’t help but fall for Max’s advances, Rafa turned out to be a repeat offender. This is far more realistic than other examples of the trope.
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