through exploring alternate realities via avant-garde makeup, fashion, and performance. “I was always into the idea of being otherworldly and very bizarre-looking,” Hungry explains of the distorted drag genre, dreamt up as a way to circumvent traditional binary expectations. “I wanted something that still gave me enough freedom to play as much as I desired, and I didn’t want antiquated opinions forcing rules upon me.
Hungry’s trademark makeup looks often deliver “an insect vibe,” which started with praying mantis comparisons and ultimately embraced the concept of arthropod evolutionary stages, colorization, and visual details. Growing up in a Catholic Bavarian household with three siblings and four TV channels facilitated a desire to build uniquely personal fantasy worlds. “I knew I had a creative streak, but I wasn’t too sure how to utilize it yet, so I did a lot of drawing and writing,” Hungry remembers.
After a move to Berlin, more personal inspirations started infiltrating Hungry’s creative works. Tarsem Singh’s film“carries the emotion and visual dramatics I want many of my creations to emit,” while the sounds of “Baby Shark” and the” provide “truly brilliant” wardrobe references.
For this, careful mapping of the face utilizes figure-drawing techniques: Hungry measures and marks with grease paint atop a base layer of foundation. The Ordinary’s
so cool and beautiful
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