Virginie Efira’s Immodest Act

Virginie wears Chanel jacket; Saint Laurent T-shirt; Stylist's own necklace and earrings. Hair by Rudy Marmet; Makeup by Fred Marin.

The movie marks a clear turn in Efira’s filmography. A household name in France, where she started her career hosting the French version of, the actress, who was born in Brussels, Belgium, is mostly known for her lead roles in easy-to-watch French.

The fact that she fully trusted Verhoeven, who had already cast her as the wife of a rapist in his 2016 drama, was a bonus. “I’m a huge fan of his work,” the actress says. “What fascinates me is his way of both accepting a system and twisting it from the inside. He’s 100% part of Hollywood, but is still incredibly transgressive.”

Benedetta’s ambiguity also keeps the viewers on their toes. After some of her visions, the young nun wakes up to stigmata, the very same wounds that Jesus endured during his crucifixion. They typically appear on the stigmatic's hands, feet, side and hairline, the latter resulting from a crown of thorns. After one of these occurrences, it is pointed out that Benedetta is missing the hairline wound… which miraculously appears moments later.

Verhoeven clearly picked up on Efira’s capacity for nuance, giving her free reign to shape her character in the film. The only thing they struggled with was how to manipulate Benedetta’s voice when she claims to be possessed by Jesus: “At first they gave me a male voice, but that didn’t really work,” Efira says. “They ended up distorting my own voice, taking the high notes out of it. I think Paul did something similar onTouches of humor pepper the entire film, giving it an aura of grotesqueness.

this is a fantastic interview. 👌👌👌👌👌

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