centers on a cadre of “nerds,” as Flynn calls them, who believe that a cryptic comic book can foretell mass pandemics. When a sequel manuscript emerges, the nerds scheme to acquire it at a comic book convention. But all goes to hell when an assassin starts picking off potential buyers one by one, and the comic’s main character, Hyde , turns out to be real — and really dangerous.
And I loved Jessica Hyde. She actually very much reminds me of Libby. I liked that she was an incredibly dangerous warrior-child — that she had never been given the grace to grow up entirely or to have relationships in a normal way. She was raised to assume that everyone was out to kill her. She had kind of an arrested development from around age 12, but she could also completely eviscerate you with a sharp edge of a toothbrush. She was this dangerous child with one mission.
I have to give all credit to Dennis Kelly for baking in that plotline. But when we were trying to get it sold again, there was this question of: “Will people really buy the idea of the ‘big bug?’ Does that feel realistic enough?” And, unfortunately, it all unfolded in front of our eyes. I’d be editing on my laptop — a scene of the hot zone [where the children are quarantined], for instance — and then I’d switch and look up at the news. It felt like I was looking at almost the same scene.
I wrote about movies and then I was a TV critic, and I think that that really helped me when it came to analyzing why something doesn’t work. I think it’s very easy to figure out why things are really good or why things are really bad. It was fascinating to me; it’s like this piece of a puzzle, like: “Why isn’t this quite clicking? It has all the ingredients of greatness, but it’s not great.”
Is there an echo in here
Tubi streaming has dozens of thrillers on tap that I haven't seen on Netflix or premium cable. A lot of them pretty good mixed with the usual caca-poo
Binged it. Good show.
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