TV Showrunners On The Benefits & Challenges Of Writers Zoom Room Plus How The Pandemic Will Effect Production – ATX

While the transition itself was not a challenge for the writers, being able to capture the same essence of a physical writers’ room suffered.

For Gamble, “There’s a lot about being in a writer’s room that’s just the chemistry of people hanging out. I think when you’re running a writer’s room, that’s about little things you can do with people in a room that keep morale up. And it’s been a learning curve for me to try to figure out how to translate that to a virtual world where I’m just staring at these little faces and trying not to read too much into what their faces are doing at any given time.

The telecommunication format is perhaps the least of the worries for writers who are now faced with the challenge of putting stories together while still being cognizant of the social distancing guidelines still in place during this health crisis. Casting will also come with its own difficulties especially when it comes to youth talent as Gamble pointed out. “Joe Goldberg has a baby in season three… I couldn’t pitch you how we’re going to solve that. We are living through a global pandemic and we don’t want to put babies in danger. We’re gonna figure it out.”

He added that “it goes in so many different directions and we don’t know what’s going to happen. So it’s hard to write for it. Is it going to be safer to shoot outside? Originally we were thinking everything should be a bottle episode that we should shoot on the stages as much as possible, everything will be controlled, but in fact, would it make more sense to like shoot exterior? Because it seems like it’s just healthier and safer to be outside for people.

It’s affect not effect.

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