Tink Seizes the Moment

Heat of The MomentI first want to start off by catching up about this last year with Covid, how was it for you readjusting to that?around the time that Covid had started. I had to work around a lot of things, but I was happy I got to get some music for the fans. But for the most part, I really had missed doing shows and being able to do interviews in person. It changed a lot for artists.Yes. I tried my best to keep writing and working.

I think this project was more geared towards R&B, which was good for me because I think my fans definitely appreciate the R&B side of me. These records are R&B — but I did make sure that I wanted to keep some rap involved so that they didn’t forget I can definitely give them bars if they need them. It was really just about taking my sound somewhere else, whether it was rapping or singing. I knew I wanted to do something fresh. You know, I’ve been making albums for so long.

Yes, that record was so crazy! We actually shot the video maybe four or five days ago. The song came together when Hitmaka pressed play on the beat. The studio went crazy, everybody kind of started bopping and some people started shuffling dance. That’s when I knew I needed this record. A lot of my music is so strong and sometimes dark. I felt good about this one. It was happier, and had a brighter sound. And when we added Davido, I was like, he’s perfect! Shout out to Nigeria.

The key ingredient to a sex anthem is your tone. Like with “FMB,” I took a smoke before I cut that record because I wanted my voice to be raspy. But I think it’s all about the tone and of course the lyrics are fire. Wanted to call it “Fuck Me Back,” but they were like, “Oh, we’re going to leave some mystery to it.” I love those records, though. I try to keep it spicy. So that was a fun one.

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