), or any shade in between , Adams has an uncanny knack for bringing a woman-next-door quality to most of her roles. It’s not wholesomeness, per se — you would not call her glam-slam con artist in“wholesome” — but a sort of malleable everylady quality that she can temper to fit the mood without losing an audience. You love watching her even when her characters behave badly, or when she’s committed to furiously trying to color inside the lines of a movie that doesn’t do her talents justice.
And Mrs. Russell? We meet her when she shows up one night and helps Anna out of a jam. Her name is Jane. She is gregarious, forward, earthy, a little nosy, a little boozy — “I’d hate to be stuck inside a house this shitty,” she quips upon hearing that Anna is agoraphobic. Jane is a complicated woman and thus, aspecialty; see that aforementioned statement about the benefits of good casting. They bond over being moms, and being stuck in what seems like tough, unforgiving circumstances.
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