Alex G
has long taken a playfully distorted approach to songwriting, like he's filtering his music through a funhouse mirror. The 29-year-old artist often addresses or morphs into fictional characters: insecure teenage girls and children with names like Sarah, Alina, Sandy. Flashes of storybook innocence, tales of guarded treehouses and stolen lunch boxes, mingle alongside those of darker, adult self-destruction in his music.
It's this styling — his character studies that render him an ageless narrator, the vocal contortion that can deliver soft indie rocker one second andthe next — that has often led critics to dub Giannascoli opaque, unyielding in biography or the meaning of his songs. And while his mutating musical approach, diverse just to the point of discohesion, has been critically acclaimed, it's also felt at times like a barrier to making a singular artistic statement.
"People come and people go away," Giannascoli sings on the album's opener"After All," his voice, intertwined with the artist 's, pitched into an angelic warble."Yeah but God with me he stayed." A current of religious references run through most of the songs on, sometimes to the point where it feels like a record dotted with Alex G-penned worship songs."God is my designer, Jesus is my lawyer," he sings through an electronic vocal effect on"S.D.O.S.
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