When films bill themselves as being “based on a true story,” there is an understanding that there will be at least some fidelity to truth. What director Agnieszka Smoczynska does with The Silent Twins is hold that concept up to the light and filter it through the perception of the two characters at its center. It attempts to both trace the tragic story of its characters and come to understand them along the way via a more multifaceted presentation.
Living in 1970s Wales, much of the isolation stems from how they were targeted as the only Black children in the community after their family immigrated there. This is something the film acknowledges briefly though mostly skims past without tackling it in any real depth, an omission that opens it up early to criticisms of it being potentially an obfuscation.
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