, it runs on a premise that could have been written as a dare, or a prank: Two female friends move into a freakishly affordable apartment on Manhattan’s Upper East Side that turns out to have been owned by the late pedophile mogul Jeffrey Epstein, and gradually find themselves consumed by its very bad vibes. Good taste, as you might well guess, is not on the agenda here.
The clanging, doomy synths of Eli Keszler’s score make it clear from the outset that we’re at least partly in the grip of Dario Argento, though Hunter Zimny’s fuzzy Kodak lensing trades in muted millennial hues — while the New York we’re plunged into is pure Lena Dunham.
Addie, for her part, would be troubled by these developments if she weren’t going through some alarming changes herself: Seemingly overnight, she’s possessed by the spirit of one of Epstein’s teenage victims, manifested in sudden, manic bouts of juvenile sexual expression.
Listen to my new release FLOWSTAR
Great, another Berlin film with only one screening. So now no one else can watch it based on the review. What a mess.
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