As a champion of the art of television, I very rarely say that a TV show should have been a movie, but more and more this feels true.
In approximately 90 mins, which is as long as any movie should ever be , we could have spent time with these two as they wrestled with living in the past, present, and future together while being smushed in close train quarters. Those first episodes ofwere genuinely excellent, focused on a cramped space and an almost suffocating atmosphere of possibility tinged with regret. She has a family, he’s a fraud.
The problem came with the introduction of Billy’s personal assistant Fiona, played by Archie Panjabi in a role not worthy of her talents. At first portrayed as an omniscient helper who becomes a scorned-lover-stalker, Fiona is ultimately killed by Billy either accidentally or on purpose after the three have escaped from the train. A story about the nuances of a relationship that was portrayed by the leads so beautifully turned not just into a thriller, but a messy one.
This was bad, mainly because it undercut all of the quiet work that Wever and Gleeson did in those first episodes to show, not tell, the complicated nature of Billy and Ruby’s relationships—the one they have with each other, the one they once had, and the one they currently have with the life they’re running from. Now, we’ve introduced.
You don’t have to love or even like the leads of a show, but if that’s the true, the show itself has to make up for it.does not do this. Instead, it turns once again to spend a lot of time with brand new side characters, investigating their love lives when we have no investment in them at all . It all leads to a muddled, wholly unsatisfying non-conclusion that wants us to beg for a second season, when all I felt was disappointment that this wasn’t over. If not a movie, then a miniseries, fine.
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