Anya Taylor-Joy
), a chess genius, and her addictions: pills, success, and the game she loves. The production—captivating, deep, and dark—is a master class in historical storytelling, and beauty is at the top of its syllabus. Daniel Parker, the show's hair and makeup designer, shares how he brought to life the iconic beauty trends of the '50s and '60s on set.Those cropped bangs worn by Young Beth might seem abrasive for a child, but they are accurate for the time period.
"Trying to get historical references on Black hair is very, very difficult in Europe, so when I came to New York, I went into the bowels of this big library and said, 'This is what I'm looking for.' They were really helpful, and I found all these amazing references on Black culture and beauty in the '50s and '60s for Jolene's look."Lipstick offers insight into Beth's maturity.
Beth's mental state is consistently reflected in her appearance, and, in this case, her eyeliner is an indicator of the pill-fueled chaos within. During one of Beth's most tumultuous benders, Parker explains, she attempts to channel a pop singer's aesthetic, but fails miserably."Beth gets incredibly drunk while dancing to"I'm Your Venus" by Shocking Blue, and then she does this rather outrageous eyeliner to look like [lead singer] Mariska Veres.
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