was just as loose. “I would walk into these interviews,” he says, “with real questions I didn’t know the answers to. I looked at them as lessons.” He opened his chat with Ben Jaffe, the Preservation Hall Jazz Band’s creative director and tuba player, in New Orleans by telling Jaffe that he knew nothing about the city or jazz. “That became the conversation,” Grohl says. “Put two musicians together – at the back of a bus, at the corner of a bar – and the conversation usually delivers.
It was not easy. “I had no plan,” Grohl says of his state of mind in 1994, after Cobain’s death. He recalls a trip to Ireland, driving around “in the middle of nowhere, so happy to be away from it all,” until he passed a hitchhiker wearing a Cobain T-shirt. “In that moment, I thought, ‘I have to do something.’ ”an album on which he wrote, sang and played virtually everything. Then he formed a band to perform the songs live, with Smear and Mendel in the first lineup.
“Dave could play drums on our records easily,” Hawkins says, “because he knows exactly what he wants. But he gives that up to me. He knows I gotta be in there, that Nate’s gotta be in there – because that’s what makes these things great.” After his parents’ split, Grohl would record himself on a cassette player, speaking about his problems and fears that day, and then would fall asleep listening to the tape. “I started to find this kind of safe place,” Grohl says now, “where I only had to rely on myself to survive emotionally.”
In fact, he argues, “the vulnerability of being the sixth drummer in Nirvana is nothing compared to being the lead singer of a new band after Nirvana. I’ve spent years taking hits, man, fighting my way through it. People resented me. That was years of my life – in every review, every time I sat down with a journalist.
That, Grohl gushes, “was fucking baptism, dunked-in-the-river shit. The first time we played ‘Scentless Apprentice’ in the practice room, it was Nirvana, man.” Grohl corrects himself. “It wasn’t Nirvana, but jaws dropped. I realized, ‘Oh, that’s why people liked us.’ ” Of course, he notes, the day after the Hall of Fame set “people were hoping we’d be playing in other places. But the special thing about that night was that it was that night.”and 1993’sas “not a lot.
Grohl pauses as he pulls into the 606 lot and parks the car. He turns and smiles. “And now I think we might be friends.”t the Cubby Bear, perched on a stool in an upstairs lounge, Grohl shows off one of his many tattoos, this one on the underside of his right arm: the symbol for infinity, set inside lines of script that read, “In the end we all come from what’s come before.” Grohl had it done a few months ago, in the week that his father died and, six days later, his new daughter was born.
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