are joined by Cuban musicians playing congas and horns and singing back up on their 1980 No. 1 hit “The Tide Is High.”plays for laughs as she breathily introduces the band members , wearing a sheer tropical-bright skirt floating over her black leggings that makes her look like she could be at a rumba rather than a rock concert.. “We really assimilated the Cuban musicians and the sound of Cuba into the Blondie performance, the music being the universal language. It was fantastic.
The vintage feel from shooting with a handheld camera on 16mm film proved perfect for evoking the aesthetics of the gritty, broke New York of the mid-1970s when the band first came together, and juxtaposing that with contemporary Havana, where economic challenges make the routine activities of everyday life a DIY endeavor not driven by punky independent spirit, but by raw necessity.
But Blondie’s concert, as it turned out, was a last hurrah for a period that brought not only those U.S. tourists, but also an unprecedented number of famous American musicians to Havana. The frequency of such concerts, organized under the guise of cultural exchange with the cooperation of the Cuban Ministry of Culture and the U.S.
Until the end of his term, Trump continued to tighten regulations, prohibiting Americans from staying in a growing list of Havana hotels, and as a last stroke of his pen against Cuba, he returned Cuba to the list of “terrorist countries,” effective January 2021. Then COVID-19 arrived. All live music came to a standstill on the island and most venues remain closed.
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