For as long as I can remember, I’ve admired the way writers dress. Good style, it seems, by measure of the frequency with which it appears, is a trait practically essential to those who achieve prolific careers in publishing. Who would not fall as infatuated with Kathy Acker in her leathers as they would for her irreverent prose? Same for Patti Smith, so gothic and uncouth at first impression, and James Baldwin, immortalized through his essays and his clothes as enduringly debonair.
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