RIP to “the room where it happens” — the Grammy Awards’ blue-ribbon committees, which are officially being laid to rest this year after being an essential part of the nominating process in most categories since the 1990s. Never again will non-insiders have to play the role of Aaron Burr, wondering if there was actually smoke filling those rooms, and if so, what kind. That murky haze is being replaced by the clear air of “transparency,” and not a moment or voting year too soon.
But with that being said, some things will inevitably be lost when the next set of Grammy nominations is winnowed down by the entire 11,000-plus membership rather than a small group of imagined or real experts in each category. The curatorial approach that took over in the ‘90s was instituted for a reason: to make sure that, with such a vast membership, thewould not become a pure popularity contest.
But when you looked at the slate of nominees from year to year, you could see the committees whipsawing from not being cool enough to being too cool. Originally, especially when it came to the top all-genre categories, the committees were seen as a corrective to, say, Tony Bennett’s “MTV Unplugged” winning for album of the year — with the general feeling being that at least he won over the “Three Tenors” album that was also up at the time.
And with this frustrating a lack of translucence about how seriously or cavalierly these matters were undertaken behind closed doors, we wereBut what will be lost in the service of transparency? Fun and/or deserving quirks. How great was it that an album as terrific as Haim’s “Women in Music Pt.
ChrisWillman Butter on 21/05 BUTTER0521 BTS
It's the same winners every year anyways.
The Grannies haven’t been relevant in decades
Army Stream for the song 'MIC Drop', get one billion views, 🔥🔥💜
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