Ted Sarandos and Dave Chappelle Are Missing the Criticism’s Point (Column)

, he again asserts Chappelle’s right to “artistic freedom.” In both, he underlines that neither he nor anyone with sign-off power at Netflix believe that Chappelle’s extensive material on transgender people crosses the line of being “designed to incite hate or violence” — and even if it did, violence on TV doesn’t necessarily, “Together, Sarandos’ memos do little to address the actual criticism of “The Closer.

Chappelle knew as he took the stage for “The Closer,” his last Netflix special for the foreseeable future, that readdressing his past material on the LGBTQ community — a phrase he says with enough labored emphasis to illicit the nervous audience laughter he was looking for — would prove controversial. The fact that it did isn’t a bug in his comedy, but a key feature.

On a basic storytelling level, Chappelle spends so much time on this one subject and crosses so many different wires on his way to very different conclusions that the entire set ends up lost in a fog of, “these people couldn’t even cancel me right.” He’s so frustrated that his trans critics, in his view, seem to be reciting tired bullet points without listening to what he’s saying that he has trouble talking about anything else at all.

As Sarandos points out in both his memos, it is indeed Chappelle’s right to say what he thinks. But Sarandos rejecting the idea that Chappelle’s rhetoric is violent, or that violence on TV versus real-life violence rates has any correlation to what makes his punchlines violent, would be laughable if it weren’t so concerning.

Sarandos and other Netflix executives have spent years saying that “representation matters,” pointing to titles such as “Orange Is the New Black” and “Sex Education” as helping to keep “marginalized communities” from being defined by any one story. The 2020 documentary

So far, all you're doing is proving him right.

Or your making his point 🤔

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