“I didn’t know if it was going to make sense, but I just couldn’t stop filming it,” remembers filmmaker Reid Davenport of a circus tent that was erected outside of his Oakland apartment. But Davenport kept the camera rolling on the circus tent, using it as a jumping-off point for what would become his feature documentary debut,’s U.
S. Documentary Competition section, draws a direct line between the circus’ legacy of the “freak show” and the ableism that Davenport, who has cerebral palsy, confronts on a day-to-day basis. Without the director, himself, appearing onscreen, the doc is wholly shot from Davenport’s perspective using footage filmed from his wheelchair.
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