, which plays like an anthology of severalSo did doing something like? It almost feels like more of a risk. There’s nothing to hide behind.is the key word there. It’s why I think that period was really important for me.
I felt like: You have to do this shit for yourself. No one is encouraging you to go off and do something different or take a gamble on something. Everyone wants you to keep doing the thing that you’ve done successfully. I knew I was swimming upstream a bit by not recreating— which I knew couldn’t be recreated! It was a total anomaly. So yeah, I had to do some auto-critiquing. There were some hallucinogens involved.
Those flashback sequences, where the light is streaking down, do have kind of an impressionistic look. Do you think that we collectively lionize the legacy of the Sixties too much? The whole notion of what that decade meant — and Fonda’s line about puncturing the myth, where it really was “just ’66 and early ’67” — feels like a big part of the film’s DNA.] I don’t think our feelings about the art that came out of that era is misplaced or unearned, honestly. We were not imagining the fact that something was happening that really pushed the boundaries of expression.
Yeah. And I don’t think anything’s really changed. When I described cinema as “an approach”…it has nothing to do with the capture medium, or the venue or location in which it’s viewed. To me, it’s purely an artistic attitude and a point of view. So maybe I’m not thinking about it in the same way that a lot of the people who are having this discussion are thinking about it. I mean, it’s a little like getting upset about the weather. It is what it is.
I’m fucking coming!
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