Sofia Coppola’s movies, ranked worst to best

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From Lost in Translation to Priscilla, here are all of Sofia Coppola's movies, ranked worst to best.

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Over the past 24 years, Sofia Coppola has built one of the most impressive filmographies of any filmmaker of her generation. After directing one of the most striking feature debuts of the 1990s, Coppola went on to make some of the best movies of the 2000s. While the 2010s marked a bit of a creative lull for the filmmaker, she’s returned this year with the new A24 drama Priscilla, which has already emerged as one of the fall’s most acclaimed new releases.

Related The special packs enough highlights into its relatively short runtime, including a showstopping performance of Christmas (Baby Please Come Home) by Maya Rudolph, to justify its existence, and it establishes a fascination with New York City that Coppola would go on to explore further a few years later. However, it is, perhaps, the only title on this list that doesn’t feel like an essential entry in Coppola’s filmography, which is why it deserves to rank where it does.

7. On the Rocks (2020) On the Rocks is a low-key father-daughter comedy that is, well, exactly that and nothing more. Featuring one of Bill Murray’s most charming late-career performances and a moody, darkly rich aesthetic, it’s a perfectly fine, lightly comedic romp that occasionally transcends its own limited expectations for itself. Like A Very Murray Christmas, it functions better as a love letter to the New York City of old than it does as a showcase for its legendary star.

It’s a visually staggering drama — one that slowly. but surely sinks its claws into you until it has you fully locked in its venomous, vicelike grip. It isn’t perfect and its scope is, as many have previously noted, more limited than it should be, but as a foray into the kind of genre filmmaking Coppola had long avoided, The Beguiled is a remarkably effective experiment.

4. Priscilla (2023) A companion piece to both Marie Antoinette and The Virgin Suicides, Priscilla is a predictably stunning, surprisingly somber treatise on the dangers of achieving one’s teenage dream. Based on Priscilla Presley’s 1985 memoir, Elvis and Me, the film follows Cailee Spaeny’s young lead as she’s whisked away to a Memphis castle by the man of her dreams, Elvis Presley (Jacob Elordi), only to realize too late that it’s just as much of a cage as the military base she’d grown up on.

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