Years ago, you wouldn’t have looked to the international feature category — or foreign-language film, as it was more insularly named back then — for much in the way of reflecting the modern world. World War II history and heartwarming child’s-eye family portraits were for a long time the staple diet of an award that shied away from more nervy topics.
Schrader is one of four woman filmmakers on the shortlist, all of whose films taking a female character’s perspective in a world pitted against them. Blerta Basholli’s Sundance-lauded “” is a rousing statement against patriarchal society, following an independent woman, whose husband has gone missing in the Kosovan war, as she defies systemic misogyny to forge her own food business.
Gender warfare in the workplace, meanwhile, is central to raucous Spanish farce “The Good Boss,” in which Javier Bardem’s sexist company CEO, Blanco, is increasingly flummoxed by a changing corporate culture — while his sexual exploitation of Liliana, a young intern, backfires.
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