” and Carly Pearce’s “29: Written in Stone” — also has songs in which she’s ready to move on from her breakup, most notably “Can I Get It,” which lives up to its frisky title with a boot-scooting acoustic groove à la George Michael’s “Faith.”
“I’m counting on you to put the pieces of me back together,” sings Adele, now 33 and linked romantically to sports agent Rich Paul. More than gossip about Konecki or her new boyfriend, though, “30” offers deep thoughts on love’s causes and consequences; it uses Adele’s personal experiences — in her marriage but also as a child — to power a kind of philosophical examination into why love fails and what it means for the people involved.
“Woman Like Me” ponders the crucial difference in a relationship between complacency and consistency; “Love Is a Game” laments the seductive ease of self-deception.
Still, for all the dismantling of genres happening on the Hot 100, it’s worth remembering that pop listeners never really lose their taste for the kind of music Adele makes. Think of Lewis Capaldi’s chart-topping “
Did she even write or sing any of it?
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