In addition, telling Gomez’s story largely through the adoring eyes of 12-year-old Hector Jr., nicknamed “Quiquin” , lends too much of the movie a kind of one-note quality, more hagiography than objectively dimensional character study.
But too much of the film lacks sufficient conflict and an organic sense of storytelling. Flashing back from 1983 Italy, where 24-year-old Hector Jr. is studying literature, to his relatively idyllic childhood in Medellín, Colombia, circa 1971, the film plays like a series of snapshots; “memories” that fill a canvas — and the film’s inflated running time — but don’t necessarily add up to a propulsive, unique or absorbing enough story.
More compelling are the warm and lively group portrayals of Hector Jr.’s tight-knit family, which includes his luminous mother, Cecilia , and four sisters . A bossy nun, a loyal housekeeper and Quiquin’s ailing grandma are household fixtures as well.
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