shows us where twigs is going, and, most importantly, where she’s at in her healing process.
was built off the story of religious figure Mary Magdalene. On her latest, there’s still a sense of cohesion in the beats, sounds, and features selected for the record, but an air of letting go and looseness pervades its tracks. Perhaps it’s the reason why she’s chosen to labela mixtape — as if twigs has stepped out of her jewels and garb, let out a big exhale, and presented what she has without further decoration needed.
Most of its songs are celebratory. Opener “ride a dragon” is a dense, flowy banger full of effect-laden and fast-forwarded vocals, punctuated by twigs’ own giggles. The whiplash-like “Pamplemousse,” which clocks in at less than two minutes, is a flash of percussion and dizzying vocals singing about La Croix, and ends on a hilarious bit of audio from a fan begging her to release her Dua Lipa collaboration, “Why Don’t You Love Me.
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